Ritual Abuse Hysteria “Le Satanisme et la Magie”

   A new malevolent power is rising in the world of extreme music! Ritual Abuse Hysteria is a newly formed extreme music label located in the Bible Belt of the United States that looks to promote blasphemous and vicious up and coming acts. 

   The label’s debut compilation release, “Le Satanisme et la Magie,” features six sinister sounding bands that all share a passion for spreading darkness through extreme metal music. I find it rather amazing that this label was able to bring together such fearsome sounding acts. It goes to show you the hard work and determination from people involved in the underground metal community who have done a tremendous job promoting talented up and coming artists. I’ve never heard of any of these bands before, but after listening to this entire compilation, I really look forward to what they have to offer in the future. 

   Each band contributed two songs to the compilation, which I thought was a great way to give listeners a little sample of what they artists have to offer in terms of extreme musical creativity. Glyph is the first band I want to talk about especially since they begin the compilation off with a killer song called, “Of the Clock Tower.” The track reminded me a lot of Summoning’s first album, “Lugburz,” and contains a very haunting atmosphere. There are plenty of intense sounding black metal riff structures as well as some blistering drum parts. The band’s second track, “Light Shall Become Shadow,” is also very impressive and once again establishes this cold and grim sounding atmospheric landscape full of raw sounding black metal.

   Maw was another band that conveyed a very raw and merciless sounding black metal assault. I liked how Maw captured the dark essence of black metal even though some might argue that this is nothing new to the world of black metal music. The two tracks they provided, “Down in the Abyss” and “Them Worming Ones,” are still very solid cuts of nightmarish sounding black metal. Sometimes you need to look past the whole originality complaint and just appreciate the band’s effort when putting together an evil sounding piece of music. 

   Reproach was definitely the band that deviated from the typical raw and harsh sounding black metal style and went for a more abrasive blackened death approach. I really liked Reproach’s two tracks, “The Bones of Heathens” and “Stone Upon Stone, Foe Upon Foe,” which I thought vividly stood out and gave this band a unique identity. The band’s vocalist is an utter demonic sounding force and perfectly complimented the savage instrumental compositions that were featured on both songs. 

   The Bleak definitely takes home the award for most avant-garde and unconventional sounding black metal band on this compilation. Talk about really pulling listeners into a void of pure chaos and mind altering extreme sounding evil! “Writhing Over the Clouds,” was an aural assault of distorted devastation that was completely out of the ordinary, but I sure respect the hell out of this group for trying something a bit different. 

   If you want corpse grinding riffs and graveyard defiling blast beats then Skorbvster is your band. Their song, “Benektelig,” was a ghastly sounding piece of black metal and the vocal delivery was utterly unholy sounding. Play that song inside a church and watch the walls begin to crumble at the sounds of this band’s monstrous sounding presentation! 

   Last band to talk about is Thumos, a band that took be by surprise because on their two tracks there were no vocals. The band provided two pieces of doomy sounding black metal riffs that also seem to lay down strong sounding skull crushing rhythms. I consider their songs to be sort of rough drafts and would like to hear them build off what I thought was a solid foundation. 

   I believe that all six bands featured on this compilation are very talented and demonstrated certain qualities that I tend to enjoy when pertaining to extreme metal music. Ritual Abuse Hysteria did a great job putting this together in an attempt to bring awareness to these new artists. I hope this is the first of many releases from the label and I wish to see the label putting out full-length releases from these bands as well.

Link to the compilation below:

https://ritualabusehysteria.bandcamp.com/releases

Rob “The Metal Guy” Rants About Youtube Reaction Videos

   Anyone who takes the time to film themselves watching a music video and then labels it a “reaction” video on Youtube, honestly needs to be put on one of Elon Musk’s rockets and sent to Mars. I’ve noticed over the years that there are too many Youtubers creating these “reaction” videos, especially people who are obviously not fans of rock and metal music. I’m sure a lot of people might ask, “how do you know they are not fans,” or “you sound like a metal elitist,” but in all honesty when someone uses poor descriptive dialogue to label a Slayer song and seems to know nothing about the actual music they are describing, then they are not fans of the band at all. If anything they just find some random metal video and believe that making a reaction video will get them clicks. 

   When you have some hipster dude who dresses like they regularly attend Coachella filming a reaction video to a black metal song, you know the world has become completely ruined by ignorant humanoids who only care about getting attention from a platform that has become a massive joke over the years. Based on my last comment you can tell that I am not a huge Youtube fan. I find that the platform has completely gone downhill thanks to the corporation running it, along with some of the despicable content creators who have gained massive amounts of ignorant followers. 

   Now, I know in the past I have advocated for more people to check out certain rock and metal bands, because I strongly believe that there are some talented artists who deserve recognition. I have dedicated most of my life to promoting rock and metal music, so I do not wish to prevent people from checking it out. However, taking a rock or metal song and filming your response is just disingenuous and makes you look like an attention seeking whore. Just imagine if I started doing album reviews for that mindless modern pop music which has turned children into complete brats who at the age of eleven are trying to act like the Kardashians. Really makes me sick, but I would never go out of my way to review it and then film my reaction. Probably because my reaction would just be me ranting and raving about how these people are destroying society. 

   Again, I do not wish to dissuade people from listening to rock and metal music, and I do not want to say that people should not do reviews via blogs, or video if they actually know what they are talking about. I am just trying to get people to understand that making a video to show your “reaction” is criminally obnoxious. Also, a lot of these people are putting on a poor acting performance and you can tell they are not being genuine when listening to the songs. Humans will do almost anything for attention nowadays and platforms like Youtube unfortunately fuel this sick behavior. 

    As someone who has spent years reviewing and covering rock and metal music, I have become just completely incensed by all this nonsense. Hopefully this trend will die off like so many other YouTube fads, but the only way to stop it is to avoid these videos at all costs and support the music critiques who truly appreciate the artists and know what they are talking about! 

Last Agony "The Imminent Slaughter"

   As the world burns and the foundation of our existence begins to crumble, Last Agony shall be the ones playing the soundtrack to our ultimate end. These Canadian noise-punk maniacs launch a feverish attack with the release of their first full-length album, “The Imminent Slaughter.” 

   By now whenever I receive a promo from Sentient Ruin, I already know that the band is going to be extremely unforgiving and capable of dealing out a savage sounding release. Honestly, I was not ready for the passionate sounding hardcore drive and pure hateful sounding nature that Last Agony was able to conjure up on their debut album. This album is a hellacious sounding punk release and digs deep into the blackened depths of unapologetic artistic expression. From the ear shattering guitar riffs to the ravenous rhythms, these musicians have their sights set on unleashing apocalyptic chaos throughout the world wide extreme music community. 

   For around 18 minutes, I can guarantee you that this band deals out 100% effort and never succumbs to that generic hardcore mentality which kills so many albums. The eight tracks featured on this album may not be long in terms of length and are packed full of technicality, but they sure as hell deliver a punching amount of musical brutality. The first track, “The Imminent Slaughter,” does a tremendous job introducing the agonizing songwriting style that Last Agony sets out to establish with this album. Ear piercing feedback followed by a sinister sounding guitar onslaught pulls you right into a war zone of instrumental chaos. The singer’s vocals spew out pure hatred and venom to compliment the aggressive sounding arrangements that show a band fueled by disillusionment and disgust. 

    Another area of this album worth mentioning is the bass playing and how the bass parts inject an extra boost of bombastic sounding hostility. On the song, “Diabolism,” you can vividly hear the bass notes complimenting the crushing drum parts, thus creating a seismic shockwave that hits you right in the gut. Also, on tracks like, “Maniac” and “Hacked to Pieces,” you hear these musicians playing with such ferocity that even though the arrangements sound completely chaotic at times, the raw and unforgiving mindset is extremely compelling. 

    There is no bullshit with this band and on the last two tracks, “Unbridled Lunacy” and “Propaganda Bleeds,” I was highly impressed by the fiendish sounding guitar riffs. “Propaganda Bleeds,” is a very thought provoking track and the overall atmosphere during the song was like a firestorm scorching all that stood in its path. 

    Last Agony’s, “The Imminent Slaughter,” is probably the most raw and intense sounding album that I’ve heard so far this year. These musicians really know how to write catastrophic sounding hardcore punk. Trust me when I say that the destruction that Last Agony brings to the table is imminent and once this album comes out on May 7, 2021, there shall be no place to hide once this band is unleashed!

Check out the song "Diabolism" : 

Sentient Ruin Bandcamp:

https://sentientruin.bandcamp.com/album/the-imminent-slaughter

Indus Valley Kings “Self-titled Debut Album”

   Indus Valley Kings lays down the monolithic sized heavy doom thunder with their self-titled debut full-length release. This trio of musicians takes listeners on a ride through an ancient city full of groovy sounding doom and pure vintage sounding ass kicking rock and roll.

   As much as you hear the doom influences throughout the album, you also get this straightforward hypnotic hard rock sound which then makes way for some really catchy riffs. The musicianship is extremely tight and I find that this trio has a truly massive sound when hammering out their arrangements. Also, the singer’s vocal style provides a nice touch to the groovy sounding compositions that one can hear throughout the album. From top to bottom, there is not much to complain about and the production is very impressive as well. 

   The opening track is a crushing jam called, “Angels,” which sets up this fuzzy sounding riff laden atmosphere that comes sweeping across the musical landscape faster than a sonic titan. As I’ve stated before, the musicianship is very tight sounding and keeps you fully engaged once the band begins playing. Fans of classic 70’s hard rock that has that doomy psychedelic sound will really dig the slower more haunting instrumental arrangements that can be heard on tracks like, “The Method” and “Devil.” The guitar playing really stands out, especially when the guitarist dives into a mesmerizing solo that rips through these addictive sounding scales. 

   Other songs worth noting are “Phoenix” and “Rest in Waste,” which continue to explore the ancient distorted pathways first established by bands like Pentagram, Saint Vitus, Witchfinder General and Black Sabbath. “Phoenix,” is full of bombastic sounding compositions that take you through all sorts of twists and turns in terms of tempo changes. In the end, the band keeps the music flowing and doles out a mighty helping of blazing doom. You really have to give the drummer credit for maintaining such a solid sounding rhythm section that can be used by the guitarist and bassist for them to construct these monstrous sounding riffs. 

   Overall, I find this to be an enjoyable release and one worth checking out if you are a fan of solid sounding doom music. With so many doom bands all looking the same in their promo photos and playing the same generic sounding riffs, you really have to find those acts that truly standout. I believe Indus Valley Kings has a sound and approach which helps them offer something a bit different compared to what you usually hear. To be quite honest, if the riffs are ridiculously catchy and you find yourself banging your head, then you know a band is worth your time. Also, make sure you turn the volume up to eleven on your stereo when playing this album! 

Check out the album below:

Indus Valley Kings Facebook:

https://www.facebook.com/Indusvalleykings

Indus Valley Kings Bandcamp:

https://indusvalleykings.bandcamp.com/album/indus-valley-kings

Animal Schoolbus "Going to Grammy’s House"

   To start off this review I am going to say that this is a great example of parenting done right. In a current day and age where children are listening to some extreme pieces of garbage in terms of music, I extremely am glad to see people out there getting their children into extreme metal music. 

   Animal Schoolbus is a father and daughter grindcore project that throws down a devastating debut release called, “Going to Grammy’s House.” This album is full of sickening sounding riffs and utterly pissed off sounding vocals. The album contains twenty tracks, 14 of which were recorded when lead singer Princess Beast was only two-years-old. There are a few new tracks along with some live recordings from a show back in 2019. Now, the guitarist, drummer and individual responsible for getting his child into fast bone grinding music is none other than Charlie Sad-Eyes who is the genius behind Crawl Below, which is an awesome band worth checking out. 

   I think what stood out to me most was the raw and honest aggression that comes from Princess Beast when screaming over the punishing instrumental compositions. At two-years-old most of us were just beginning to really grasp the concept of unleashing our frustrations and sometimes that also turned into tantrums. However, I cannot think of a better outlet for a young child than getting to unleash their inner fury by working on creating furious sounding grindcore songs. The titles of the songs alone are truly amazing with tracks such as, “Mommy’s Car is Blue,” “Stuck in a Tree” and my favorite which is, “Oreo’s My Favorite.” The music has that Napalm Death and early Carcass vibe, but also has that raw power violence approach made famous by bands like Charles Bronson and Spazz. 

   The three songs that were recorded more recently definitely turn up the heat, especially in terms of sheer musical brutality. “Everyone Had Mullets in the 80s,” “I Can Do One Handed Cartwheels” and “I Bet Taylor Swift Never Has to Clean Her Room,” are extremely ferocious pieces of pulverizing grindcore. The frantic sounding guitar playing from Charlie matched with Princess Beast’s more vicious style of singing would probably scare a group of pathetic looking metalcore kids right out of their skinny jeans! Also, the contrasting vocal parts during, “I Bet Taylor Swift Never Has to Clean Her Room,” injects a monstrous sounding element to an already chaotic sounding piece of music. 

   In the end, I was really impressed by this album and the strong collaboration between father and daughter made for such an enjoyable and impressive sounding release. I get sent a lot of grindcore promos for review that sound dreadfully awful, so hearing this was a breath of fresh air after getting suffocated by all those basement dwelling piss poor Napalm Death copycats. In a world being overrun with crappy music from artists like LiL Nauseating X, Cardi Beehive and that one guy who used to be in One Direction and now makes horrible films, Animal Schoolbus is here to save us with one brutal song at a time. The Grammys better give this album a nomination, or else Princess Beast and teddy bear friends are going to be coming for all of you!

Check out the song "I Can Do One Handed Cartwheels" : 

Link to their Bandcamp (Album comes out April 30, 2021) : 

https://animalschoolbus.bandcamp.com/album/going-to-grammys-house-2021-remix

Wallachian Cobwebs "Night Sobbed a Potion Diseased"

   Once again we are gifted with a ghastly sounding dungeon synth release that slowly rises out of the Carpathian catacombs and spreads across the land striking fear in the hearts and minds of listeners. This sophomore release from Wallachian Cobwebs titled, "Night Sobbed a Potion Diseased," is full of ghoulish sounding arrangements and the musician behind this one-man project, Count Räumula, is like a dungeon synth mad scientist when it comes to composing. 

   “Night Sobbed a Potion Diseased,” definitely continues from where the debut album, “Hearken to the Moon Whisper,” left off in terms of establishing a profound and unique dungeon synth sound. However, I would argue that this new release comes across as even more grandiose when pertaining to the album's production, and the album feels extremely cinematic at times. One thing though that can be said about both releases is that the recording quality and overall atmospheres are unbelievably brilliant sounding. 

   Another interesting difference between the two albums is that this one departs from the vampiric lore of the debut release to explore a tale influenced by the story of Frankenstein. On the new album there is still a strong emphasis placed on creating haunting synth melodies to lull you into a vivid atmospheric dominion. The album’s opening track, “The Electrical Secrets of Heaven,” is the starting point for which this tale of utter madness is to begin and the sound effects that accompany the synth arrangements do a tremendous job setting up the album's horrific conceptual themes. Again, this album really feels cinematic and you can envision all that you hear, which in a way is borderline frightening come to think of it!

   The music flawless flows throughout the entire release and always keeps you engaged as the synth arrangements evolve to compliment the current mood of the story. On track number three, “A Lonely Walk,” there are some vocals provided by The Specter who is the mysterious and extremely creative driving force behind the phenomenal dungeon synth act, Old Tower. I really liked the vocals parts provided during the song, which I thought added another element of horrifying suspense to the music’s already bone chilling sounding theme. Although I would say that the album’s title track is where the music really reaches this climatic and heart pounding part of the story. During the track you can feel the rush of heightened emotion from the climate of chaos going on as the noise builds and builds. 

   Towards the end the album, the music begins to return to a state of calm and comforting darkness as the tale of this human creation brought back from the dead comes to a tragic end. The synth parts of this release always seem to find a way to evolve and transition when needed, making this a very dynamic sounding ambient release, which is extremely impressive when you look at the album as a whole. 

   “Night Sobbed a Potion Diseased,” is arguably one of the most well composed and recorded albums I have heard so far this year, especially when I think of an album leaving an impact after I've listened to it. Count Räumula is truly becoming a force within the dungeon synth community and Wallachian Cobwebs is an act I highly recommend checking out. In my opinion, this type of work ethic and dedication to craft such profound music definitely deserves high praise. I most certainly look forward to what shall come next from this musician who dwells in the shadows of forbidden Wallachian crypts. Seriously, where else can someone record such nightmare inducing music?! Sure as hell was not recorded in one of those shit holes in LA where they serve wheatgrass smoothies! 

Wallachian Cobwebs bandcamp:

https://wallachiancobwebs.bandcamp.com/album/night-sobbed-a-potion-diseased-2

Obsolete "Animate//Isolate "

    Do not let the colorful flowers on the album cover fool you! Obsolete’s debut album, “Animate//Isolate,” is like a titanic sized death/thrash napalm shower violently raining down upon the metal world. Based out of Minneapolis, Minnesota, this group of savage extreme metal musicians hammers out an endless technical onslaught of pure malevolent sounding metal music. 

    Working with Unspeakable Axe Records for the release of the album, I really feel as though Obsolete puts their own stamp on what one would expect to hear from a young and hungry extreme metal band. I will be honesty and admit that death/thrash albums have become rather repetitive over the last couple years with a few exceptions. Actually, I would say that most of those exceptions have come from Unspeakable Axe Records, mainly because whoever runs the label seems to know what is going on in terms of quality sounding metal music. 

    Obsolete joins the Unspeakable Axe ranks by putting together a fierce sounding album and utterly decimates all that stand in their path by writing some solid cuts of technical brutality. From start to finish, the caliber of musician displayed on this album was unbelievably impressive. As much as I want to keep putting over their musicianship, I have to also highlight the band’s strong songwriting skills. The overall production was definitely something I noticed right away. Each track conveys such raw and passionate energy that you become completely engulfed by these blistering guitar riffs and ear crushing drum parts. 

    The album’s opening track, “Still,” begins by unleashing a blizzard of distorted chaos across the musical landscape and sends seismic shockwaves from behind the drummer’s kit with enough force to level a town. Also, the band knows how to compose dynamic arrangements, so you are not inundated with sloppy death thrash riffs that maintain the same boring tempo throughout the entire song. 

    Tracks like, “The Slough,” “Old Horizon” and “Silent Freeway,” all exhibit a plethora of tormenting technical guitar work. Also, the vocals throughout this album are truly haunting and convey that unapologetic nature that one would expect from early death metal records that have ruthless thrash metal elements as well. Currently, I have noticed too many metal artists trying to sound aggressive and end up sounding like their parent’s would not give them ice cream for dessert, so they decided to form a metal band and scream like a pack of pestilent children. 

    Moving on, “The Fog,” was probably my favorite song off of this album and is definitely a track that I think most fans of extreme death thrash metal will enjoy. The guitar playing once again is executed with such savage precision and the vocals provide a sinister touch to the overall tsunami of brutality. The last song on the album, "Intercostal," was a close second in terms of top tracks and contains some mind bending rhythms to construct one venomous composition. 

    In conclusion, out of the nine tracks featured on this album I do not believe listeners will be disappointed. If anything, they are going to get their skin shredded off by the raw sounding aggression that this band delivers. Obsolete does not fumble the ball with their debut album, “Animate//Isolate,” and builds up anticipation for what this band is capable of coming up with next. This group of musicians does not need any cheesy gimmicks, or cartoony sounding lyrics to get people interested. They let the music do the talking, and after listening to this album, they are making a pretty powerful statement! 

Check out the song "Still" below : 

Album comes out April 19th, 2021. Pre-order through Unspeakable Axe Records below:

http://www.unspeakableaxerecords.com/