Showing posts with label Matt Lasserre. Show all posts
Showing posts with label Matt Lasserre. Show all posts

Sunday, December 14, 2025

Top Ten Albums of 2025 / Rob "The Metal Guy" Awards

 


   Well everyone, 2025 was a totally nutty year with plenty of moments that made me just wanted to throw my hands up the in air and scream, "Get me the hell off of this crazy planet!" From the constant talk about AI taking over to my city becoming insanely overdeveloped to where every single piece of land is being used to build overpriced condos that like look something out of a George Orwell novel, 2025 really felt like massive pile of feces floating in a toilet. Luckily music seemed to be the best medicine, as there were some extremely strong releases that came out this year. Also, the future of the Bay Area underground metal scene looks very promising with bands like Cardinal, Bezaliel and Varulf leading the way. Plus, Sentient Ruin showed up by continuing to release more uncompromising extreme metal albums this year. Although I must give Hells Headbangers major credit for the work that they did this year whether it be new releases, or re-issues of extreme metal classics like the Goreaphobia picture disc. In the end, 2025 may not have been a cake walk of a year, but then again, when is life ever completely without chaos...Alright enough rambling like a washed-up pro-wrestler from the 80's doing a shoot interview, here are my top ten albums from 2025...


10. Gawthrop - “Kuboa”

This South Korean sludge act sure unleashed a gruesome sounding album with the release of “Kuboa.” Definitely could hear influences like Noothgrush and Grief which is probably what drew me to the album right away after hearing the first preview song. Glad to see Sentient Ruin was the label working with the band for the album’s release as Gawthrop perfectly compliments the label’s diabolical and unapologetic extreme ethos. There are plenty of agonizing slow crushing riffs throughout the album painting a bleak and dystopian landscape where piles of bones lay across a desolate wasteland. 



9. Prophetic Suffering - “Rivalry of Thyself” 

The bestial death metal horde from Canada known as Prophetic Suffering unleashed a sickening decibel defiling onslaught with the release of "Rivalry of Thyself." From start to finish this album was utterly devastating and featured some savage guitar work to go along with the cataclysmic drumming. These sadistic maniacs don't experiment or try to go off the extreme metal script, which is why the album comes across as an unforgivingly raw and brutal assault without any remorse. Definitely a band to keep an eye on if you are a fan of monstrous sounding death metal. 



8. Phantom - “Tyrants Wrath” 

The maniac thrashers from Mexico are an insanely relentless force and have gained a solid international following over the years. I personally really enjoyed their debut album, “Handed to Execution,” a lot when I first heard that album. “Tyrants of Wrath,” is another solid release that features more merciless old school speed/thrash riffs, but even has more classic melodic metal touches which draws influence from the NWOBHM and early 80’s speed metal. Still, they know how to bring the intensity when it comes to heavy sounding palm muted riffs that can conjure up a mosh pit within seconds. Plus, they seem to be working extremely hard as I see them constantly sharing videos of their wicked live shows. 



7. Perdition Temple "Malign Apotheosis"

The new album from Perdition Temple was definitely a strong extreme release to come out towards the end of this year. For their fifth full-length album the band yet again demonstrated their vicious talents by hammering out some juggernaut sized death metal riffs. The album really invokes that old school sound which is great given how modern death has really become sterile sounding and seems to have lost that pestilent vibe that you heard coming out in the late 80's and early 90's. Perdition Temple knows how to come up with vile sounding tracks like "Kingdoms of the Bloodstained" and "Death Insurrection" to give the listener a chaotically deafening listening experience. 



6. Moonlight Haze - “Beyond” 

The epic power metal outfit known as Moonlight Haze once again created a truly impressive release. I tend to be extremely picky with my power metal as I have found the sub-genre to be getting a bit gimmicky with too many bands starting to become very forgettable. However, Moonlight Haze knows how to construct these triumphant sounding compositions to grab your attention. Also, the band’s singer has an amazing voice along with a tremendous vocal range. In think if you are into power metal then Moonlight Haze is a band to be checking out and I hope they come to the US for a tour. 






5. Matt Lasserre - “Jungian House Dreams” 

The mastermind behind Pale Cremation never seems to slow down and continues to create some killer releases. His new solo album that came out this year was a bit of a departure from his more doom and hard rock past, but he still found a way to captive listeners with some really impressive prog rock/post-punk influenced compositions. “Jungian House Dreams,” contains some ethereal synth arrangements, which gives the release a very dreamlike quality. Matt recorded plenty of fascinating compositions on this album that mixed all these different types of musical influences of his to make a very creative release. Having known Matt since his days playing bass in the band Scrape the Earth, I've really come to respect how much work he has put in over the years recording new music and furthering to explore his various musical interests. 





4. Uranium - “Corrosion of Existence”

Probably one of the most insane and down right mind altering extreme albums to come out this year. The one-man blackened industrial act behind Uranium has been conjuring up some real radioactively decimating releases in recent years with this one being surrealistically brutal from start to finish. Uranium combines all the abhorrent musical elements together to offer listener's a glimpse into an apocalyptic nightmare where humanity has become devastated by nuclear destruction. Sentient Ruin also did a great job with the album's release by offering a cool vinyl variant as well as printing some badass shirts/hoodies/long sleeve shirts (Still some available on Sentient Ruin's website). 





3. Demonsmoke - “Resin Wrought” 

Demonsmoke’s second full-length album and the follow-up to their monumental 2017 debut album “Morphine Moonshine,”is without question one of the heaviest albums that came out this year. The band increases the vile sludge and doom dose to an even more diabolically sinister level with “Resin Wrought.” The riffs on this album are vicious while the vocals add a venomous touch of pure unapologetic disgust. Definitely draws influence from Southern sludge metal, but has such a profoundly dark doom vibe that hooks you from the first suffocatingly distorted riff. Also, shoutout to the artist who did the album cover as it perfectly compliments the band's primordial demonically doom like sound. 




2. Lathe of Heaven - “Aurora” 

Lathe of Heaven's sophomore full-length album "Aurora" had to be one of the album's I was most looking forward to in 2025. The band's debut album "Bound by Naked Skies" is one of my favorite albums to be released within the last few and I still listen to it quite frequently. "Aurora," is a tremendous follow-up that shows the band's growth as songwriters, as well as their ability to compose these haunting and fierce post-punk atmospheres. The lyrical content is inspired by science fiction along with other topics that are extremely relatable to the current state of our world. I personally think Gage Allison is one of the best singers currently in the world of rock/punk/metal music, and he always seems to delivers the lyrics with such profound conviction to where you remember every word. "Just Beyond the Reach of Light," is a powerful song that I would consider to be the best song off of the album. 




1. The Chameleons - “Arctic Moon” 

I can already hear the elitist extreme metal fans reading this number one pick and saying, "You're number one pick is yet again a non-metal band?!" Well in the end, I am unapologetic about what I enjoy and in my opinion the best album to come out in 2025 was The Chameleons "Arctic Moon." For those not familiar with The Chameleons, they are a tremendously talented post-punk/new wave act from the 80's that I strongly believe deserves more credit for their work. The band's first three albums are utterly phenomenal and even though they did not sell millions of records, I believe they have established a profoundly loyal cult following that deeply treasures the band's recordings. "Arctic Moon" is a bit of a comeback album since they had not put out a new album since 2001. Even after all those years of not making new material, the band did not seem to miss a beat as the new song's a truly astonishing. Reg Smithies is a brilliant guitarist who constructs these mesmerizing landscapes featuring some very tranquil sounding guitar compositions. The song on the album that steals the show is "David Bowie Takes my Hand," which contains some powerful lyrical moments along with these very inspiring dynamic arrangements. Even if you are not a fan of this style of music, I really do recommend checking this album out given how well music was recorded and how meaningful the lyrics come across. 








The Rob “The Metal Guy” Awards


EP of the Year: Samiarus “Reign Destroyer” 


Best Live Performance of the Year: The Chameleons in Roseville, CA


Most Brutal Album Cover of the Year: Demonsmoke “Resin Wrought”


Label of the Year: Hells Headbangers (The Goreaphobia picture disc turned out great! So glad I ordered it!). 


Up and Coming Artist of the Year: Cardinal (A black metal band that is extremely talented and hopefully working on a full-length album). 


Intercontinental Metal Champions: Empty Chalice (Created this new category for bands who come to the Bay Area from another country and put on a killer show, which Empty Chalice did on May 31st of this year). 


Biggest Douche of the Year: Sleep Token 

Friday, August 1, 2025

Matt Lasserre “Jungian House Dream”




    The architect behind Pale Cremation, Matt Lasserre, invites listeners on a unforgettable dreamlike exploration through various post-punk/new wave, avant-garde and progressive rock arrangements on his solo release titled, “Jungian House Dream.” Once again, Matt demonstrates his diverse artistic mindset while traversing across these vivid sounding musical landscapes with such keen attention to detail. 


    Over the years that I have come to know Matt, I have witnessed him really expand upon his musical ideas with vigorous fascination, thus allowing him to compose some unbelievably creative sounding releases. “Jungian House Dream,” is definitely one of his most ambitious and out off this world creations to date, which is why I was instantly drawn to the release after hearing a preview track. The post-punk and new wave elements conjure up some very dreamy and space like atmospheres, while the progressive rock arrangements add a dynamic flare to the overall sound. 


    From the very start, the album dives deep into the world of dreams and human psyche with a strong emphasis on progressive rock ethos driving the creation of a lot of the instrumental arrangements. The opening song, “Love Pill Theme,” is very new wave sounding from the opening electronic noises to the mesmerizing layers of synth. Along with the synths Matt throws in some post-punk influenced guitar work, and the notes vividly ring out in such a hypnotic fashion. Compared to work in Pale Cremation, I felt as thought there was more emphasis was placed on the how he was able to bring together all these different sounding elements, especially since the music feels almost cinematic at times. The second track off of the album, “Couloirs De Terreur Et De Decadence,” continued to build-up the opening song's heavy synth emphasis, but also added some progressive/avant-garde rock guitar lead touches towards the end. 


    Of course, Matt does incorporate song heavier elements into the album and on the song, “Architectural Model of the Psyche,” he conjures up more of an old school Sabbath like sound, which I thought really stood out and happened to be one of my favorite pieces of music off of the album. The song’s main riff sounded truly monumental with its Iommi-esque sonically devastating sound that instantly captures your attention. On the song, “Visitation,” you can hear a more industrial/thrash metal edge featuring more adrenaline pumping distorted riffs of high octane aggression that slightly reminded me of Matt’s time in the band Scrape the Earth. Eventually the music mellows out and transitions into a more calming almost transcendental direction, which ties into the experimental synth arrangements that tend to be guiding the listener throughout the release at various points. 


    Throughout the album you are constantly enthralled by the various arrangements and different audio clips detailing human consciousness and the power of dreams.  “Jungian House Dream,” is an album that I find comes from years of unyielding passion and an individual’s desire to bring out musical concepts that they have fondly amassed over years of being a open minded artist. Matt really took his time crafting this album by making sure each guitar riff, bass line, and synth made a distinct impact, so in the end listeners can experience a release that does not sound like a lot of what you are hearing from the rock/metal world today. I would highly recommend people give this album a listen, especially if you are open to progressive rock music infused with some post-punk, synthwave, new/wave, as well as some metal touches from one creative individual. 




Listen to the entire album via Doom Zone Productions Youtube channel :





Matt's Bandcamp:

https://mattlasserre.bandcamp.com/album/jungian-house-dream