Cauldron "New Gods"

   The evolution of Cauldron is quite fascinating and their new album, “New Gods,” is yet another strong effort from the Canadian power trio. From a young and hungry band offering blistering riffs of classic metal fury to a more melodic hard rock attitude, Cauldron is beginning to find the right blend of heaviness and melody to where the songs really standout.

   On their previous album, “In Ruin,” I definitely noticed the band focusing more on developing strong songs and the overall production of that album was simply amazing. The band's 2007 debut EP, “Into the Cauldron,” came out during a time when a lot of young metal bands were trying to emulate the classic acts by creating heavy riffs and throwing around lightening fast guitar parts. I am glad Cauldron never participated in the speed war by showing off how fast they could play and I think that the band’s focus on solid musicianship plus strong songwriting skills has led us to the current release, “New Gods.”

   As I said earlier, “In Ruin,” was exceptional in terms of production, so I was extremely impressed with how they carried that sound over onto the new album. The drums sounded great along with the guitar and bass sound which highlights the bands ability to craft some killer classic metal sounding music Also, I thought bassist and vocalist, Jason Decay, sounded great throughout the album and his vocal abilities do not disappoint.

   From the start of this album to the very end, Cauldron deals a strong selection of tracks. The album opens with the fierce hard rocking song, “Prisoner of the Past,” which I think sets the tone for the album by presenting a tight rhythm section and crushing main riff. Guitarist Ian Chains is an outstanding player who may not be the most flashy and overly technical guitarists around, but he gets the job done and knows how to construct heavy riffs that convey raw emotion. I thought the guitar solos on tracks like, “No Longer” and “Never Be Found,” were well executed and did not throw around random notes, or go off into pointless directions.

   Other tracks I wish to highlight are, “Save the Truth/Syracuse,” “Isolation” and “Together As None.” On, “Save the Truth/Syracuse,” the band hammers out a heavy dose of classic metal riffs and bold sounding drum parts. I feel like drummer, Myles Deck, provides a powerful punch on this song and throughout the album he is the beating pulse of this band when pertaining to rhythm. “Isolation,” is an instrumental composition stands out from the other tracks and in the end demonstrates the band’s musical creativity along with their ability to depart from what one would expect. Although I think the song on this album that vividly stood out for me was, “Together As None.” The song features a well built chorus section and the lyrics were extremely well written to compliment the instrumental composition. In this day and age I feel so many bands fail to capture the essence of their sound with solid lyrical content and this song was rather refreshing to hear.

   I believe Cauldron did a tremendous job on, “New Gods,” by conveying a classic metal sound, yet found a way to make the music sound distinct and strengthen their musical identity. Fans will enjoy the balance of classic metal riffs with a more melodic hard rock touch and compared to most of the music coming out, there is no real filler because each song is written with purpose and meaning. There is no slowing down for this band and I foresee them continuing to pour their die hard classic metal worshipping hearts and souls on future releases.

Review: Altars "Self-Titled EP"

    Drowning listeners in an endless black sea of hellish sounding death metal, the San Jose,CA based band known as, Altars, unleashes a merciless assault of extreme terror on their self-titled debut EP. 

    The band offers up four explosive tracks containing a sinister sound and attitude similar to that of classic death metal and grindcore bands that laid the foundation for extreme music. These musicians do not hesitate when pertaining to brutality and the music simply suffocates and possesses your overall senses. I also liked how the four tracks flowed and you get little to catch your breath on this EP. The opening track, “Unholy Retribution,” begins with a burst of distorted feedback to create an abysmal and very terrifying atmosphere, which eventually turns into a massive hurricane of vicious death metal. I thought the musicianship was rather impressive overall and the recording quality of each instrument is well captured throughout the release. 

    The second track on the album, “Conqueror,” is definitely more of a fast paced old school grindcore like piece and contains some extreme rapid fire drumming and riffs. I feel like the music comes and goes leaving behind a decimated wasteland of complete and utter carnage. The third song, “Ancient Plague,” I felt was a more dynamic sounding track compared to the first two. In the beginning on the song the band does an impressive job building up a very bleak and doom like sounding atmosphere before dragging listeners down into a swamp of distorted chaos. “Black Magic,” wraps up the EP with more bellicose sounding death metal riffs and demonic growls. The singer even lets out a blood curdling scream in the middle of the song which adds to the already horror like and fear inducing atmosphere.

    Overall, I think Altars presented some solid music with their debut EP and leaves me wanting more from this band. The musicianship did not disappoint along with the band’s ability to construct terrorizing atmospheres of brutal death metal. Also, Altars is yet another impressive act to have their music released on Sentient Ruin Laboratories, which is a label that continues to deliver some of the best up and coming extreme music acts around. In the end, there is some killer music being conjured up in San Jose, CA that I hope continues to strike fear in the hearts of priests and may one day awaken the destructive forces from starless voids beyond.


Altars "Conqueror" :

Altars Bandcamp:

altars666.bandcamp.com

Sentient Ruin Facebook:

https://www.facebook.com/SentientRuin/

Mournful Cries Release New EP “Vices”

    They’re back! Mournful Cries keeps cranking out the demos and EPs with their third release to date, “Vices,” which is another strong invocation of pure doom. The Sonoma County Sabbath worshippers conjure up some wicked sounding riffs from cosmic worlds beyond and tell listeners some haunting tales of bone chilling terror.

    Ever since the band formed I have been tracking their progression and I can tell you that their sound keeps evolving with each new release. The first demo/EP  was definitely more raw and rough sounding, but demonstrated a talented trio that could write some crushing pieces of doom metal. Also, I need to point out how the band self-records their music and drummer Alex Hernandez who does the mixing and engineering on each release does a really solid job capturing the band’s sound. The drum, guitar and bass production on, “Vices,” really stands out and adds a deafening punch to each track. I even thought the vocals provided by singer and guitarist Luis Olguin vividly complimented the instrumental compositions.

    The two songs on this EP are both sinister cuts of doom and convey very dark heavily distorted atmospheres reminiscent to that of music by Saint Vitus and Pentagram. “Sinners Pyre,” is the opening track and slowly builds up into a blizzard of mind crushing doom. There is a catchy overall quality to the song, which is achieved by the song’s tight main rhythm. The other song on this EP, “Phantasmal Poisoning,” is another killer jam of heavy hitting doom with more dynamic compositions thrown into the mix. I thought the ending part of the song was without question the most captivating section. Bassist Matt Lasserre offers up some tasty bass lines and the music simply flows in perfect synergy until the end.

   There is much to be said about this young band’s progression from their first demo, however, in the end I shall sum it all up by saying Mournful Cries is moving in the right direction. A lot of young bands rush themselves by trying to get full-length album out right away and end up creating subpar recordings. I think Mournful Cries is smart for taking their time and slowly building up to their first full-length with these demos and EPs. You get a better sense for what this band can offer and how they are constantly working to improve their sound.

   So crank up the volume, turn out the lights, drink from the chalice and let “Vices” consume your soul...let the doom commence!

Mournful Cries bandcamp and FB:

https://mournfulcries.bandcamp.com/album/vices

https://www.facebook.com/MournfulCries/

Concert Review: Night Demon, Blood Star and Space Vacation at Thee Parkside (08/08/2018)

    If you think having a heavy metal show on a week night is a bad idea, well think again people! Given the right bands, the right venue and the right amount of headbanging fanatics, you might find yourself experiencing an all around great show. Such was the case this past Wednesday night in San Francisco at Thee Parkside where Night Demon along with Blood Star and Space Vacation, put on one monumental show for the ravenous Bay Area metal community.

    After being quite busy over in Europe since the release of their second full-length album, “Darkness Remains,” Night Demon finally was gearing up for a North America tour. The last time I saw the band perform live was around 2016 in Sacramento when they were touring with Ghoul, Crowbar and Carcass. Kicking off their North American tour in San Francisco seemed to be the most optimal place and the fans showed up in full metal force at Thee Parkside.

    Opening the show was Space Vacation, a local SF Bay Area band I had seen once before in Petaluma a few years back. These guys are all skilled musicians and they definitely know how to offer up that classic hard rock/NWOBHM sound with plenty of sweet sounding guitar riffs and bombastic ear pounding rhythms. Drummer Eli Lucas is a true maniac behind the kit and plays with great personality as he smashes his way around the cymbals and snares. Lead guitarist Kiyo Morgan shreds like a madman with true precision and is an amazing showman when executing his lead parts. Singer/guitarist Scott Shapiro has a strong voice which stands out especially during each song’s chorus section. Bassist Steve Hays handles the low end with crushing force and his ability to inject some extra force into each riff section does not go unnoticed. Fans seemed to be really digging their songs, so Space Vacation started night off right and was a solid choice as the opening act.

    After Space Vacation finished their set the next band, Blood Star, began setting up. I tried looking them up when Night Demon announced the tour and listed Blood Star as their main support. This band seems to be fairly new, however, I can honestly say that their stage presence and ability to perform did not seem that way. Their entire sound was tight and reminded me of that classic early eighties period in metal where the riffs are heavy yet the music is extremely catchy. Also, the band had these large black banners with their band logo and even had smoke machines, which I thought were great visuals to add to their performance. In the end, the singer really blew me away with her powerful voice and confident stage presence. I also thought the band’s sole guitarist offered up some tasty leads and hard hitting classic sounding metal riffs. I’m looking forward to hopefully an album from this band, because their live sound did not disappoint.

    As soon as Blood Star concluded their set to a thunderous applause, Night Demon started setting up the stage for their metal assault. Once the lights dimmed and the band took their positions waiting to break into the opening song, the entire audience was making noise and showing their support for the Venture, CA trio. The band opened their set with, “Welcome to the Night,” and set the tone for an overall thrilling performance by bringing tremendous amounts of energy. Singer and bassist Jarvis Leatherby displayed his exceptional skills as the band’s frontman by constantly giving one hundred percent during each song. Guitarist Armand John Anthony played with precision while cranking out some wicked sounding riffs and solos. Adding an extra boost of seismic force, drummer Dusty Squires was locked into each song and did not miss a single beat. All around, the musicianship just did not disappoint and all three musicians worked extremely well together to produce such a tight sound.

    The band’s set consisted of material from “Darkness Remains,”  “Curse of the Damned” which is the band’s first album and a few from the band’s debut self-titled EP. They also added a powerful and epic cover of, “In Trance,” by Scorpions. I was really excited to hear them perform songs like, “Save Me Now” and “Full Speed Ahead,” since those are two of my favorite songs off the first album. During the song, “The Chalice,” the band’s mascot Rocky appeared holding a goblet and received a major pop from the audience. They finished with their self-titled song and the place was still erupting even after a feverous set of songs.

    At the end of the night, all three bands put on one brilliant overall show, so everyone walked away satisfied and with their ears ringing. This is what heavy metal is all about and to see so many passionate metal fans show up is a testament to the longevity and loyalty within the heavy metal community. I think Night Demon is one of the most driven and hard working bands around. Their performance once again proved that they are true professionals that keep waving the flag for metal. Also, Space Vacation and Blood Star are two promising acts that I hope to see around more, because both bands know how to write some killer heavy metal jams. In conclusion, I am extremely optimistic about metal’s future as the fury just won’t die and we have plenty of bands and fans to keep the power and glory of metal moving forward.

New Cemetery Filth Song "Exhumed Visions"

    Cemetery Filth delivers that old school death metal filth and fury with their new track, “Exhumed Visions.” The Southeast USA based band offers up a gruesome sounding taste of what is to come and looks to be quite busy out on the road.

    Starting later this month Cemetery Filth is going to be touring with Church of Disgust around the eastern side of the United States. Also, the new demo song, “Exhumed Visions,” will be featured on a split tour promo tape that will be sold at the shows. With plans to release their debut full-length album in spring of 2019, the new song is an impressive preview of the ultimate brutality and casket crushing sound that this band can conjure up in the studio.

    I remember when I first heard them on the four band compilation album “Four Doors to Death” released through Unspeakable Axe Records, which was an all around exceptional release. After hearing Cemetery Filth’s two tracks on that album, I was instantly drawn to their sinister sounding style of old school death metal. The new track, “Exhumed Visions,” features some vicious old school sounding riffs along with some pulverizing drum parts. I find the songwriting and vocal delivery to be extremely well thought out and keeps you completely engaged from beginning to end. If this is just a small sample of what is to come, I cannot wait to hear what else the band has in store for fans when they drop their debut full-length album.

    With so many death metal bands putting together generic and sloppy sounding releases, Cemetery Filth brings old school death metal substance and the promise of a morbid sounding future of extreme musical terror. Definitely try to catch them on their upcoming tour with Church of Disgust as the shows shall be great gatherings of pure death metal insanity. In a world full of obnoxious and forgettable sounding music (Particularly that indie rock hipster bullshit that come from the Bay Area), we need Cemetery Filth to summon horrendous destruction and to open up the gateways of extreme sounding annihilation!


Check out the new song below!

Cemetery Filth Facebook page:

https://www.facebook.com/CemeteryFilth/

Abstracter "Cinereous Incarnate"

  Apocalyptic sounding destruction is what one shall imagine when listening to music from Bay Area based sludge metal juggernauts, Abstracter. Their sound is like a massive shockwave of extreme sounding terror rattling through the Earth and sending listeners into an abyss of endless distorted doom.

  Ever since I reviewed the bands first album, “Tomb of Feathers,” back in 2012 while writing for another website, I have always been mesmerized by the band’s striking dark sounding atmospheres of bombastic sounding sludge and doom. Also, there are a variety of elements incorporated into the band’s sound, so at times you will get some vicious blackened crust jams followed by a slower sludge riff section. This new album, "Cinereous Incarnate," which marks the third full-length album from these guys, is once again quite impressive in terms of sound and just all around extreme sounding devastation. The ambient touches on this album add to an already heavy sound by injecting more abysmal landscapes throughout each song.

  Containing six tracks, the album really does consume you as you listen by providing plenty of moments where you are focused on the sheer ferocity that Abstracter brings to the table. The opening song, “Nether,” contains some explosive sounding riffs and the song’s entire structure was very well pieced out. They are able to expand on basic heavy riffs while at the same time throwing in a few quick sections that reflect a more crust punk approach. The next track, “Cinereous,” is a short haunting ambient piece that is really intended to build up anticipation for, “Ashen Reign,” which hits with tremendous force. The drummer matches the burst of guitar feedback by pounding the utter crap out of his kit and making the music have a strong beating pulse.

  Track four, “Wings go Annihilation,” contains some dark sounding guitar sections and was probably my favorite song off the album. There is definitely more of a black metal side being presented and the diversity of compositions sounded great. Returning to a more ambient style, “Incarnate,” leaves you lost in a world of bleak sounding noises feeling as though you are gazing at the ruins of a fallen city of smoke and ash. Concluding the album, “Devouring Night,” happens to be the most suitable sounding conclusion for an already decimating release. The entire production sounds solid on this track, especially the vocals and how they are delivered by the band’s singer. You really have a hard time trying to find anything wrong with the band, because they all seem to be on the same page and their talents allow for the music to come across with such conviction on each track.

  I do believe Abstracter continues to thrive as they keep releasing new music and this new album is yet another heavy sounding release for fans to blast on their speakers. I need to see these guys live, because if they sound this heavy on their albums, seeing them live will blow me straight out of the venue. Extreme music is still thriving here in 2018 and Abstracter’s music is definitely helping the uncompromising brutality continue for us fans to enjoy.



Check out "Ashen Reign" below:

Co-released by the following labels:

- Sentient Ruin (LP/tape/digital - US/One of my favorite labels) - Vendetta Records (LP - EU)
- I, Voidhanger Records (CD)
- Tartarus Records (tape - EU)
- Daymare Recordings (CD - Japan)

Exmortus "The Sound of Steel"

   Exmortus is a band known for their ferocious technicality and strong heavy metal sound. Their music is what you would want playing as you ride through a bloody battlefield swinging your axe and chopping off some heads. The band’s new album, “The Sound of Steel,” is another  savage sounding release of shredding, headbanging and axe swinging metal music.

   “The Sound of Steel,” is the band’s fifth full-length album to date and is very much a continuation of what fans heard on, “Slave to the Sword,” and “Ride Forth,” which are the bands last two full-length releases. I honestly felt the band really started to establish themselves after the release of, “Slave to the Sword.” Around the time that album came out I saw them live and was blown away by their passion and musicianship. They have always been a hard working band and over the years they keep the pedal down by constantly touring. I think the new music is exactly what made me enjoy the previous releases and once again presents a heavy sound that features some brilliant musicianship.

   Singer/guitarist and founding member, Conan Gonzales is the only returning member on this album, so I was interested to hear how the band would sound after losing three out of the four members featured on the last two releases. I do believe Conan found some talented musicians to play on this new album and I hope they stick around for a bit. On bass Phillip Nunez does a solid job laying down some powerful bass lines, while Carlos Cruz is a monster behind the kit. Handling the second guitar duties, I think Chase Becker provides some exceptional guitar parts and adds to the band’s vicious thrash sound.

   In terms of songwriting, the band delivers plenty of battle themed hymns of heavy metal might. The opening song, “Make Haste,” is a fearsome strike of metal force to the ears with an intense thrash like composition. Conan’s vocals compliment the music quite well and the song’s overall production quality is rather impressive. I would say the song gets the job done as an opening track. Is this something new and ground breaking? Not really, however, Exmortus has found their niche and their sound and playing style is very consistent. The second track off the album, “Feast of Flesh,” really caught my attention, especially since the riffs and delivery of the music is extremely aggressive. Also, the lead guitar playing is exceptionally well done and does not go off into unnecessary directions by just shredding random notes without any thought.

   Other songs that stand out are, “Into the Maw of Hell,” “Strength and Honor,” and “Riders of Doom.” The music is extremely well written and you are able to hear the strong heavy metal talents each member possesses during these songs. The instrumental song on this album, “A Minor Instrumental,” is yet another phenomenal instrumental track by this band and probably my favorite song off the album. Exmortus is sort of known in the metal world for coming up with some amazing instrumental pieces and their cover of, “Moonlight Sonata (Act 3),” is one song that I still reference as a great heavy metal instrumental piece.

   In the end, I do believe fans of Exmortus will be pleased with how this album turned out. I do think the band’s lyrical content and themes are nothing new from what I have already heard on previous albums, but it happens to work well with their style of metal, so I can't complain too much. If you are looking for consistency, I do find Exmortus to be a band that shall deliver a solid shield smashing and skull crushing release from beginning to end. Plus, you can count on these guys to tour relentlessly when the new album drops. Just like barbarian hordes, Exmortus will ride forth from town to town unleashing heavy metal chaos leaving no hipsters alive…Okay, maybe that is a bit extreme, but this is heavy metal people!



Check out the video for "Feast of Flesh" below: