Saturday, December 19, 2020

Top Ten Albums of 2020 / Rob “The Metal Guy” Awards

 

As we come to the end of 2020, I believe it is important to reflect upon the albums that really stood out during the year and helped get us through all the chaos. Yes, 2020 has been a rough year in terms of unprecedented and unfortunate events ranging from a global pandemic to Chris Jericho vs. Orange Cassidy in a mimosa wrestling match. Even though this has been a rough year, we should not overlook all the great music that came out during 2020. Looking back at all the albums that came out this year, I was surprised at how many tremendous rock and metal albums were released. I do believe that this year was one of the most challenging lists to come up with given the amount of great albums that I heard over the course of the year. Also, I must give a shoutout to all the hardworking labels that were responsible for putting out a lot of brilliant releases. Even in the face of a pandemic the dedication from the rock and metal community never faded and hopefully coming out of this we will be even stronger going forward. So in conclusion, here are my picks and don't forget to check out the winners of the Rob “The Metal Guy” Awards...



Top Ten Albums of 2020



10. Dearth “To Crown All Befoulment” 


For their debut full-length release, Dearth sure as hell did not disappoint! I really enjoyed what this blackened death metal from the Bay Area had to offer. The album features an endless amount of hellish sounding riffs that keep you hooked from beginning to end. Plus, the album's overall atmosphere is extremely horrifying, and sounds like something from another realm where monstrous entities slumber waiting to unleash eternal suffering upon the world of the living. Also, “To Crown All Befoulment,” was released through Sentient Ruin and you are going to see a couple other bands who worked with the label on this list. Overall, great debut album and one I highly recommend checking out.  



Complete Album Review: https://rockandmetaltemple.blogspot.com/2020/05/dearth-to-crown-all-befoulment.html


9. Shards of Humanity “Cold Logic”


Talk about a scorching storm of technical death thrash! The guitar playing on this album was exceptional and drumming was utterly deafening. I thought the musicianship on this album never disappointed and the songs contained a tremendous amount of fierce sounding attitude. Shards of Humanity did a great job writing impressive cuts of cranial splitting technical death thrash and the music never sounded repetitive or lackluster. Once you start listening to the first song I guarantee that you are not going to want to stop listening to this album. 






8. Void Rot “Descending Pillars”


Void Rot's "Descending Pillars" was probably one of the most pulverizing albums to come out this year. Just a plethora of bone crushing riffs and abysmal sounding compositions. Another band that is associated with Sentient Ruin and another band that conjures up nightmarish sounding musical landscapes without any remorse. Void Rot's insidious style of death doom is without question not to be overlooked, because these dudes do not mess around when laying down some punishing tracks. 






7. Putrid “Antichrist Above”


I have been a fan of Putrid for years now and I honestly believe that, “Antichrist Above,” is their strongest sounding release to date. The band’s blasphemous vision is perfectly executed throughout the album. There are no dull moments and the frantic guitar work injects such raw aggression into the musical onslaught. Putrid also put out a killer split this year with Grave Desecration that I recommending checking out as well. Arguably one of Peru's greatest exports in my opinion and a metal band that the global underground community has really started to take notice of after years of hard work. 






6. Countless Skies “Glow”


These English metal musicians are true visionaries when pertaining to writing majestic sounding melodic death metal. When listening to this album at times I felt as though I were floating on a cloud through a dynamic atmospheric world containing mountain sized riffs and mesmerizing melodic arrangements. The song, "Zephyr," alone makes this a must listen, especially the fluid guitar work that constructs such breath taking sounds throughout the song. Definitely one of the strongest sounding albums in terms of musicianship and production in my opinion. 






5. Pathetic “Cleansing the Land of the Infidel”


I enjoy history and I enjoy death metal, so an album that uses death metal to highlight the atrocities after the fall of the Ottoman Empire definitely peaked my interest. Pathetic proved last year with the release of their album, “Rat King,” that they are an unapologetic and brutal force in the extreme metal world. I thought this entire album had me engaged from start to finish by throwing in constant headbanging riffs and seismic drum parts. Pathetic showed how a death metal band can explore an interesting topic surrounding historical events, while still being able to deliver a tornado of ferocious sounding extreme chaos.  






4. Hemotoxin “Restructure the Molded Mind” 


I want to take a moment and say that I am extremely proud of Hemotoxin. Although this band has experience a handful of line-up changes over the years, but the band's hard work has really paid off as of recent. Hemotoxin is in my opinion one of the most talented up and coming Bay Area metal acts and the most driven band around Contra Costa County. "Restructure the Molded Mind," is not only a continuation of what they accomplished on their previous album, "Biological Enslavement," but dives even further into the world of mind bending technical death/trash. Guitarist/singer Michael Anthony Chavez is a dedicated artist who I have a tremendous amount of respect for as a guitarist and driving force within the local metal community. Please, go and get a copy of this album if you enjoy face melting riffs and tasty technical compositions. I promise that you will not be disappointed! 






3. Cemetery Filth “Dominion” 


Cemetery Filth’s debut full-length album was definitely worth the wait! I had been looking forward to this album for a while, so when they finally set a release date in the beginning of the year I was beyond excited. This band captures the true essence of old school death metal by writing vicious offerings of unfathomable brutality. From the haunting vocals to the catastrophic guitar riffs, the entire album is a return to late 80’s/early 90’s death metal. Also, compared to your typical generic old school death metal worship acts, Cemetery Filth writes songs that leave an impact on you and keep you wanting more gruesome sounding brutality. 






2. Old Tower “The Last Eidolon”


This was a tough choice, because Old Tower’s “The Last Eidolon” could have easily been my pick for the number one album of the year. The artist behind Old Tower known only as, The Specter,” is a true dungeon synth genius. There are so many exceptional releases from Old Tower, however, this album was a culmination of all those other epic dark sounding themes that you heard on the previous albums. I felt as if I was listening to a cinematic tale that unfolded like a story of unspeakable malevolence. Amazing production throughout the entire release and the Specter has a great mind for composing. I really listened to this album a lot over the course of the year, which helped ease my mind at times through some of the challenges that 2020 brought. 






1. Ceremonial Bloodbath “The Tides of Blood”


When Sentient Ruin sent me the promo for Ceremonial Bloodbath, I had never heard of this Canadian blackened death metal band before. I was instantly drawn to the album's cover art, but the music is what just took me by complete surprise. The rush of ferocious death metal mixed with tormenting blackened hatred made this album a tidal wave of sheer hellacious sounding brutality. Again, phenomenal production throughout the entire album and the songwriting from the first track to the last is what makes this my number album of the year. Once you start listening to this album there is no turning back, because you are going to be in for one unimaginable extreme metal ride into the gory depths of an inhuman void. 








Hey, there were a lot great albums that did not make the list but definitely deserve a shoutout, so here are some honorable mentions: Cobra Cobra "Life After Poison" , Empty Chalice "Spiritual Abuse" , Voreus "The Proclamation" , Cryptae "Nightmare Traversal" , Diabolic Oath "Profane Death Exodus" and Deadlight Sanctuary  "Thaumaturgical Rites of the Damned"





The Rob “The Metal Guy” Awards


(Please be advised that there was no voting fraud involved in the selection of these recipients. All votes cast were correctly counted and reviewed by The Rob "The Metal Guy" selection committee)



Best EP of the Year: Unlucky Theta “Debut EP” 


Best Split Release: 4 Doors to Death Vol. II (Nucleus, Ectoplasma, Fetid Zombie and Temple of Void)


Best Label: Sentient Ruin Laboratories 


Best Music Video: Hemotoxin “Automation” 


Metal Ambassador of the Year: Jarvis Leatherby from Night Demon

 
Biggest Douche: Chris Jericho 


Most Metal Wrestler: Rhea Ripley 

Monday, December 14, 2020

Crawl Below "9 Mile Square"





The history of early America is extremely fascinating and the legends that come out of the New England region always seem to drive a powerful artist interest. Crawl Below’s new album, “9 Mile Square,” revisits the early days of Norwich, Connecticut and descends into this historic themed world by writing some mesmerizing post-metal riffs that construct these utterly majestic sounding atmospheric landscapes. 


Crawl Below is a one-man project conjured up by the artist known as Charlie Sad Eyes, who also is involved in countless other projects around the Connecticut area. The band's sound is driven by these astonishing doom like atmospheres that wash over you like a calming mist from the ocean. You hear the solemn melancholy influences of artists like Type O Negative and Katatonia, as well as the captivating musical landscapes that one hears in atmospheric black metal. Each track is a beautiful offering of harmonious sounding darkness that blankets the musical landscape like morning fog after an evening of heavy rain.


The opening track, “Feed the Towers Above the Trees,” pulls the listener right into an eye opening world of monumental sounding guitar arrangements and haunting melodic vocals. There is a strong synergy throughout the song which can also be said about the rest of the album. The second track, “Fire on the Hill,” starts off with a potent surge of raw emotion that soon mellows out for yet another tranquil exploration into a spellbinding musical void. Each instrument strengthens the gloomy world by harmoniously following along in unison to the song's spectral sounding atmosphere. 


When listening to the tracks on this album, I really believe that the attention to detail and emphasis placed on each verse and chorus section is what keeps you completely fascinated. Take for example track number three, “Kingdom of the Ruined,” which I would consider to be very reminiscent to that of Type O Negative. Just like how Peter Steele used to compliment the instrumental arrangements by providing a bone chilling vocal delivery, Charlie Sad Eyes invokes a similar sounding level of haunting energy when needed during the song. Also, the riffs move like a giant across the landscape gazing upon a bleak horizon with the echoes of cascading drum arrangements in the background. 




The rest of the album is very similar in terms of style and how Charlie Sad Eyes utilizes different musical elements to achieve his artistic vision. “Monument,” begins with a catchy distorted intro riff that travels down a pathway into a powerful sounding verse section. The last two songs on the album, “Tarnished the Name” and “9 Mile Square,” are two well written pieces of music that continue to  highlight the album's compelling theme by offering more grandiose compositions, while never succumbing to that painfully repetitive and unimaginative trap which can lose a listener after a while. 


I honestly did not think I would enjoy this album as much as I did, however, when looking back at this entire release I felt as though the music was written and recorded in such a genuine manner. There is no bullshit from start to finish and I do believe that Crawl Below’s “9 Mile Square,” is an anomaly in the modern metal world right now. The overall listening experience was highly enjoyable and there is little room for critique in my opinion. I definitely recommend this album for fans looking to break away from the repetitive metal trends that typically end up fading away after a short period of time. If you are looking for an atypical release that allows you to float away into a realm of dark tranquility, then you really need to check this album out.  



Check out the song "Kingdom of the Ruined" below:



Crawl Below Facebook: 

https://www.facebook.com/crawlbelow/

Crawl Below Bandcamp:

https://crawlbelow.bandcamp.com/